Diaries of an Impostor Film Maker - Fixing the Culture at Bitcoin FilmFest25

Author: Şelale Malkoçoğlu | Brought to you by: Philip Charter | Date: 5/30/2025

The following content was published on behalf of Philip Charter (aka Totally Human Writer)—Author, Editor & Ghostwriter | Creator of 21 Futures ; one of the special cameos at Bitcoin FilmFest 2025.

Saturday 9AM

It’s a chilly Saturday morning in Warsaw, and I don’t want to get out of bed. This is not because of the hangover; it’s because I feel like a failure.

The first day of Bitcoin FilmFest was a whirlwind of workshops, panels and running between stages. The pitch competition did not go my way. Another ‘pitching rabbit’ (an actual experienced film-maker) was selected to win the €3,000 of funding.

Rather than get up and search for coffee, I replay the scenes in my head.

What could I have done differently? Will investors ever believe in me: I’m just a writer with no contacts in the industry. Do I have what it takes to produce a film?

Eventually, I haul myself out of bed and walk to Amondo, the festival’s morning HQ (and technically, the smallest cinema in Europe). Upon arrival, I find Bitcoin psychonaut Ioni Appelberg holding court in front of around a dozen enraptured disciples. Soon, the conversation spills out to the street to free up space for more workshops.

I attend a talk on film funding, then pay for coffee using bitcoin. I see familiar faces from the two previous nights. We compare notes on Friday night and check the day’s schedule. The morning clouds burn off, and things feel a little brighter.

The afternoon session begins just a few blocks away in the towering Palace of Culture and Science. My role in today's proceedings is to present my freedom fiction project, 21 Futures, on the community stage. Other presentations range from rap videos and advice on finding jobs in bitcoin to hosting ‘Bitcoin Walks’. This is how we are fixing the culture.

Saturday 8PM

I feel a tap on my shoulder. ‘Excuse me, Mr. Philip. Your car is waiting. The Producers’ Dinner is starting soon’.

What? Me, a producer? I’ve been taking part in some panels and talks, but I assumed my benefits as a guest were limited to a comped ticket and generous goodie bag.

Soon, I am sharing a taxi with a Dubai-based journalist, a Colombian director, and the cypherpunk sponsor of the pitch competition I didn’t win.

The pierogies I dreamed of earlier that day somehow manifest (happy endings do exist), and we enjoy a raucous dinner including obligatory slivovitz.

Sunday 2AM

The last few hours of blur include a bracing city-bike ride in a crew of nine attendees back to the Palace of Culture, chatting with a fellow bitcoin meetup organiser, and vaguely promising to attend a weekend rave with a crew of Polish artists and musicians on the outskirts of London.

I leave the party while it’s still in full swing. In five hours, I have to wake up to complete my Run for Hal in Marshal Edward Rydz-Śmigły Park.

Thursday 9PM

The festival kicks off in Samo Centrum on Pizza Day.

I arrive in a taxi straight from a cramped flight (fix the airlines!), having not eaten for around ten hours.

The infectious sounds of softly spoken Aussie bitrocker Roger9000 pound into the damp night. I’m three beers in, being presented by the organisers to attendees like a (very tall) show pony. I try to explain more about my books, my publishing connections, my short film.

When I search for the food I ordered an hour ago, I find it has been given away. The stern-faced Polish pizza maker shrugs. ‘You not here.’

I’m so hungry I could cry (six hours of Ryanair can do that to a man). And then, a heroic Czech pleb donates half a pizza to me.
Side note: this same heroic pleb accidentally locked me out of my film-funds while trying to fix a wallet bug on Sunday night.

I step out into the rain. Roger9000 reminds us we should have laser eyes well past 100k. I take a bite of pizza and life tastes good.

The Films

Side events, artists, late nights, and pitcher’s regret is all well and good, but what of the films?

My highlights included Golden Rabbit winner NO MORE INFLATION — a moving narrative with interviews from two dozen economists, visionaries, and inflation survivors.

HOTEL BITCOIN, was a surprisingly funny comedy romp about a group of idiots who happen across a valuable laptop.

REVOLUCIÓN BITCOIN — an approachable and thorough documentary aimed to bring greater adoption in the Spanish-speaking world.

And, as a short-fiction guy, I enjoyed the short films THE MAN WHO WOULDN’T CRY, a visit to New York’s only Somali restaurant in FINDING HOME.

Sunday 7PM

The award ceremony has just finished. I head to Amondo for the final time to pay for mojitos in bitcoin and say goodbye to newly made friends.

 I feel like I’ve met almost everyone in attendance. Are you going to BTC Prague?!? we ask as we part ways.

Of course, the best thing about any festival is the people, and BFF25 had a cast of characters worthy of any art house flick:

• The bright-eyed and confident frontwoman of the metal band Scardust
• A nostr-native artist selling his intricate canvases to the highest zapper
• A dreadlocked DJ who wears a pair of flying goggles on his head at all times
• An affable British filmmaker explaining the virtues of the word ‘chucklesome’
• A Duracell-powered organiser who seems to know every song, person, film, book, and guest at the festival.
  

Warsaw itself feels like it has a role to play, too. Birdsong and green parks contrast the foreboding Communist-era architecture. The weather changes faster than my mood — heavy greys transform to bright sunshine. The roads around the venue close on Sunday for a political rally. And there we are in the middle, watching our bitcoin films.

Tuesday 10AM

I’m at home now, squinting at my email inbox and piles of washing, wondering when the hell I’ll find time. The festival Telegram group is still buzzing with activity. 

Side events like martial arts tutorials, trips to a shooting range, boat tours. 5AM photos of street graffiti, lost and found items, and people asking ‘is anyone still around?’

This was not just a film festival. BFF is truly a celebration of culture — Art. Books. Comedy. Music. Video. Talk. Connection.

All this pure signal has lifted my spirits so much that despite me being a newbie filmmaker, armed only with a biro, a couple of powerpoints and a Geyser fund page, I know I will succeed in my mission. It turns out you can just film things.

You may have attended bitcoin conferences before — you know, the ones with ‘fireside chats’, VIP areas, and overpriced merch.

Bitcoin FilmFest is a moment in time. We are fixing the culture, year after year, until art can flourish again.

As fellow author Aaron Koenig commented during a panel session, ‘In twenty years, we won’t be drawing laser eyes and singing about honey badgers. Our grandchildren won’t understand the change we went through.’

Would I do it all again?
Of course!

Join me next June in Warsaw.
I’ll be the tall one presenting his short animation premiere.

Find out more about the Noderoid Saga animation project on Geyser.